Book Review: THE MOON AND SIXPENCE by W. Somerset Maugham

If Paul Gauguin was an Englishman who callously threw a respectable British life away to go to Paris (and later Tahiti) and paint, and an acquaintance from his first, respectable life chose to write a biography of him, the end product might well have been a fascinating essay of the kind you read in The New Yorker. But since that isn’t the case, we have instead W. Somerset Maugham’s fascinating novel The Moon and Sixpence, a portrait of a man literally consumed by his passion to create art, which reads exactly as if it were that piece of feature journalism.

At the beginning of the novel, Charles Strickland appears to be a comfortable if not rich British stockbroker, more annoyed than enthused about the “artsy” types his wife brings to the house for her famous salons. The first-person narrator of the novel, himself a writer who has been “collected” by Strickland’s wife (and who never shares his name in the novel) meets Strickland at one of these salons, and finds him absolutely unremarkable. Until, that is, one day he is called upon to intervene after Strickland quits his job, abandons his wife and children without a farthing, and runs off to Paris to paint – despite having shown no interest in painting his entire life.

What follows is a novel examining the value of passion in art. Strickland is absolutely brutal – to himself, to anyone who tries to help him, and especially anyone who loves him. All that matters to him is creating art, to the point that he nearly kills himself by spending the little money he has on supplies, rather than food. From the narrator’s perspective, the only thing that saves Strickland from being a completely abhorrent character is his single-mindedness in his devotion to art. But the question that remains is whether or not the emotional and social cost is truly “worth” the price of creating beauty.

The difficult relationship between art and beauty is articulated in the novel by Dirk Stroeve, a very successful but conventional painter who recognizes Strickland’s genius and, consequently, his own mediocrity:

”Why should you think that beauty, which is the most precious thing in the world, lies like a stone on the beach for the careless passer-by to pick up idly? Beauty is something wonderful and strange that the artist fashions out of the chaos of the world in the torment of his soul. And when he has made it, it is not given to all to know it. To recognize it you must repeat the adventure of the artist. It is a melody that he sings to you, and to hear it again in your own heart you want knowledge, and sesnitiveness and imagination.” p. 56, Kindle edition

Maugham’s writing manages to be both powerful and austere. Not a word is wasted. I was completely mesmerized by this novel, particularly in the first-person narrative voice, which mixed such admiration with disdain. For me, it struck a masterful balance.

It only took six months, but I’m finally on the board in this year’s What’s in a Name 5 Challenge. This title fit in two slots (something in the sky and something in a pocket, purse or handbag), but I’m linking it to the purse category, and assuming it’s a very old, beat-up British purse – after all, the charge is to be creative! This title also counts as my 20th Century classic for the Back to the Classics Challenge hosted by Sarah Reads Too Much. Progress at last!

Venice in February: Balzac’s Massimilla Doni and Corona’s The Four Seasons

In eighteenth and nineteenth century Venice, music was an obsession, marriage was a part-time occupation, and love was a spectator sport. Ironically, I read two books written more than 150 years apart by authors from two different continents (neither of them Venetian), for Bellezza and Ally's Venice in February event and found them strikingly similar.

The first was Honoré de Balzacs classic novella Massimilla Doni, which forms part of his masterwork, La Comedie Humaine. One of my goals for this year was to read some of the classics I’ve missed up until now, and Balzac was on that list, so I figured I’d test the waters with one of his shorter works. I actually enjoyed it, but his flowery style and the treacly heroine made it a bit slow-going at times.

Emilio Cane is a prince with no money, thanks to the conquering Austrian’s usurpation of the family patrimony. He falls in love with the beautiful and virtuous Massimilla Doni, an heiress who has been married off in a loveless marriage to the aging Duke Cataneo, and they hold hands and yearn for each other while chastely occupying her fabulous villa for what seems like the first half of the novella. But when renowned soprano Clarina Tinti and the great tenor Genovese arrive in Venice, the lovers quickly head back to town for the musical season. This is when the book becomes really interesting, as the tempestuous Clarina becomes – through a set of pretty unbelievable circumstances – Massimilla’s rival for Emilio’s affection.

The Duke, as it turns out, would like an heir, but has no interest in helping Massimilla out in that way, so he and apparently everyone else in Venice are anxious for Emilio and Massimilla to just get on with it. Balzac leads the characters down a circuitous road that involves opium, stage fright and suicide, examining the impact of passion on both relationships and art, and also manages to give the reader a nifty synopsis of Rossini’s Mosè in Egitto, all in the course of a 120 page novella. Phew!

For a lighter take on Venice, I returned to one of my comfort zones: the historical novel. I have had Laurel Corona’s The Four Seasons: A Novel of Vivaldi’s Venice on my TBR pile since I first read about it. I have loved Vivaldi’s masterpiece since I first saw those pixies spreading dewdrops to it in Disney’s Fantasia, and I thought I’d enjoy a novelization of how it came about. And I would have, if that’s what I read – but Corona actually delivered so much more than I’d anticipated with this fantastic book!

Maddalena and Chiaretta are abandoned as children by their courtesan mother on the doorstep of the Ospedale della Pieta, an orphanage known for its famous “coro” of musically gifted young women who perform for Venetian society. The young women of Pieta are taught the womanly arts and allowed to make money from their crafts and performances until they are old enough to either get married or enter a convent – the basic choices for women in 18th century Venice. Chiaretta’s extraordinary voice leads her to the coro early on, but Maddalena’s talent with the violin goes almost unnoticed until Vivaldi (who I had no idea was a priest) takes the job as musical director of the coro. Vivaldi begins to write for the sisters, and the novel follows the sisters’ diverging paths: Chiaretta as the wife of a wealthy Venetian businessman and Maddalena as Vivaldi’s muse.

The irony is that the cloistered life of the Pieta actually gives Maddalena far more autonomy than Chiaretta has as a member of Venetian society. In order to marry Chiaretta, her husband signed an agreement that she would never sing in public, so the book puts the sisters’ struggle with their musical passions in stark relief. Chiaretta adores her husband, but finds that fidelity is not an accepted part of marriage in Venice. In fact, her husband goes so far as to choose her paramour. This seems to have been a function of Venetian society, where to keep wealth in the family, second daughters were put into convents and second sons acted as a sort of “honor guard” for the women whose husbands were otherwise engaged with the city’s courtesans – unless they went into the priesthood, like Vivaldi.

The Four Seasons was a surprise. The female characters were complex and interesting – such a contrast to Balzac’s heroine. I would heartily recommend it to any lover of historical fiction, especially those who love books associated with masterpieces, like Tracy Chevalier’s novels. As for Massimilla Doni, I would say it’s an accessible introduction to La Comedie Humaine. I enjoyed it, and I think anyone interested in the roots of French literature would too. Just don’t expect Zola!

I did some double-dipping with my Venice in February titles. Massimilla Doni is my translated classic for the Back to the Classics 2012 Challenge, and The Four Seasons: A Novel of Vivaldi’s Venice counts toward the Historical Fiction Challenge 2012. Thanks to Sarah Reads Too Much and Historical Tapestry for hosting!

Book Review: Three Men in a Boat by Jerome K. Jerome

It’s amazing how often I start reading a book and realize that it’s referencing a classic that I haven’t read – which immediately makes me want to read the classic. I picked up Connie Willis’ time travel Hugo Award winner, To Say Nothing of the Dog, to share during January’s Science Fiction Experience, hosted by Carl V. at Stainless Steel Droppings. But it quickly became evident that the main character’s thoughts and actions were heavily influenced by his reading of Jerome K. Jerome’s Victorian “buddy” story, Three Men in a Boat (To Say Nothing of the Dog). It was also evident that I wasn’t going to understand the Willis book completely unless I understood the references. So I put down Willis temporarily, and downloaded the classic* that inspired her.

I am so glad I did! How on Earth did this book escape me for so long?

The first-person narration describes a two-week trip up the Thames from Kingston to Oxford in a skiff with two close and quirky friends and an enthusiastic fox terrier, Montmorency. Parts of it are pure Victorian travelogue, describing in overwrought and sentimental fashion the towns, inns and historic sites they encounter along the river. Sounds dreadful, right? But what makes the book a classic of British comic literature are the narrator’s hilarious digressions, describing incidents from the lives of himself (an inveterate hypochondriac) and his companions, George (a lazy banker) and Harris (a prodigious tippler), as well as sending up some of the recurring themes in British history. In fact, the inclusion of these humorous sections actually renders the flowery travel writing funny in comparison, since it reads as satire of the genre.

What was most amazing to me was that even though the book was written in 1898, most of the humor still seems fresh in 2011. At one point, the narrator, J., shares the miraculous story of how he survived his first sailing experience, undertaken with absolutely no knowledge of the craft.

Possibly the result may have been brought about by the natural obstinacy of all things in this world. The boat may possibly have come to the conclusion, judging from a cursory view of our behavior, that we had come out for a morning’s suicide, and had thereupon determined to disappoint us. That is the only suggestion I can offer. p. 89

This book is full of tongue-in-cheek humor, sarcasm and comic understatement. It occurs to me that a lot of what I love about British humor probably has its roots in this classic. The chapter about the mounted trout in the pub should be required reading for every fishermen – and every person who lives with a fishermen. Honestly, I laughed out quite a few times reading this book.**

Certainly, I’d recommend this to lovers of classics, but those who enjoy humor and travel books will also find it a pleasure. Really, unless you’ve had your funny bone surgically removed, I think you’ll find something to like in this book.

It’s so awesome to start 2012 off with a great surprise of a classic! This was my first book for the Back to the Classics Challenge 2012, so thanks to Sarah at Sarah Reads Too Much for hosting. Next up, of course, is To Say Nothing of the Dog for Carl V.’s Science Fiction Experience, which I hope to appreciate far more thoroughly after reading this book.

*I am having so much fun with the free and almost free classics that are available in e-book format. My Kindle has already paid for itself with public domain works that I didn’t have to buy, find or wait for!

**Unfortunately for my husband, at one point I was reading long after he had fallen asleep. Let’s just say he didn’t find my chuckling as funny as I found the book.

It’s My Birthday and I’ll Read if I Want To: 2012 Reading Challenges

I love my New Year’s birthday. It feels like a totally fresh start for so many things – including a totally clean reading slate. This year I’m planning to focus on classics that I’ve never read, but should have, so you’ll see a lot of them doing double (or triple) duty on my reading lists. But I’ve also left plenty of room for book club reading, spur of the moment reading, and some mini-challenges, such as Venice in February and R.I.P. So far my actual commitment is only 27 books, and I know I’ll read far more than that, so I'm sure there will be some additions!

Happy New Year and Happy Reading to you all!

What’s in a Name 5

1. The Reef by Edith Wharton (Topographical feature)
2. Flaubert’s Parrot by Julian Barnes (Something in the sky)
3. The Gold Bug by Edgar Allen Poe (Creepy crawly)
4. Cold Comfort Farm by Stella Gibbons (Dwelling)
5. The Moon and Sixpence by W. Somerset Maugham (Something in your purse)
6. Long Day’s Journey into Night by Eugene O’Neill (Something on a calendar)

Vintage Mysteries 2012 (Murderous Miscellany)
I’m calling mine Vicious Vacations, and reading 8 books that take place in a destination where I’d “kill” to spend a holiday!

1. Death Lights a Candle by Phoebe Atwood Taylor
2. Six Problems of Don Isidro Parodi (Seis Problemas para Don Isidro Parodi) by Jorge Luis Borges
3. Murder on the Nile by Agatha Christie
4. The Haunted Hotel: A Mystery of Modern Venice by Wilkie Collins
5. The House without a Key by Earl Derr Biggers
6. Died in the Wool by Ngaio Marsh
7. The Case of the Gilded Fly by Edmund Crispin
8. Lock 14 by Georges Simeon

Back to the Classics Challenge 2012

1. Three Men in a Boat by Jerome K. Jerome (19th Century Classic)
2. The Moon and Sixpence by W. Somerset Maugham (20th Century Classic)
3. Sense and Sensibility by Jane Austen (Classic Reread)
4. Long Day’s Journey into Night by Eugene O’Neil (Classic Play)
5. The Case of the Gilded Fly by Edmund Crispin (Classic Mystery/Horror/Crime Fiction)
6. These Old Shades by Georgette Heyer (Classic Romance)
7. Massimilla Doni by Honoré Balzac (Translated Classic)
8. Cold Comfort Farm by Stella Gibbons (Classic Award Winner) (1933 Femina Vie Heureuse Prize)
9. The Gold Bug by Edgar Allen Poe (Classic in a Place I Won’t Visit) (Sullivan Island, South Carolina)

Venice in February

1. Massimilla Doni by Honoré Balzac
2. The Four Seasons: A Novel of Vivaldi’s Venice by Laurel Corona
3. The Haunted Hotel: A Mystery of Modern Venice by Wilkie Collins

Europa Editions Challenge 2012

1. Lions at Lamb House by Edwin M. Yoder, Jr.
2. A Day in the Life of Ancient Rome: Daily Life, Mysteries and Curiosities by Alberto Angela
3. Treasure Island!!! by Sara Levine
4. You Deserve Nothing by Alexander Maksik

Historical Fiction Challenge 2012

1. Eromenos by Melanie J. McDonald
2. Lionheart by Sharon Kay Penman
3. Reign of Madness by Lynn Cullen
4. A Day in the Life of Ancient Rome: Daily Life, Mysteries and Curiosities by Alberto Angela
5. Lions at Lamb House by Edwin M. Yoder, Jr.
6. The Four Seasons: A Novel of Vivaldi’s Venice by Laurel Corona
7. All the Flowers of Shanghai by Duncan Jepson
8. These Old Shades by Georgette Heyer
9. TBD
10. TBD

Read-Along

Clarissa, Or the History of a Young Lady by Samuel Richardson